Blosxom 2.2.0
Apparently Blosxom development has been picked up again. There was a new release on 2024-02-03. Nice!

[/unix] [permanent link]

Trouble opening aterm in FreeBSD?
Here's a soltuion! https://forums.freebsd.org/threads/44941/

[/unix] [permanent link]

X11 Mouse Cursor Themes
Starting after installimg the binary nvidia drivers on both my laptop (Quadro K1100M) and my workstation (GeForce GT 630) Blackbox was defaulting to a mouse cursor that was suboptimal, a black, notched triangle.

The settings in the Xresources for the mouse cursor theme are honored by XDM at the graphical log in, but when Blackbox or Fluxbox start, the cursor would change to the black notched triangle. TWM honors the settings in Xresources, but TWM is just a little too minimalist, even for me.

But there's a simple fix!

Create a file in your home directory (if it doesn't already exist) .icons/default/index.theme. In this file, add the following lines:

[Icon Theme]
Inherits = polarblue

where polarblue is the name of the X11 mouse cursor theme you wish to use. FreeBSD installs many of the X11 cursor sets into /usr/local/lib/X11/icons/, your Unix flavor may be different. In theory, you can also install new themes of your choosing into ~/.icons/ and use those without the need for any elevated privileges.

Additionally, there's the option of creating a .Xdefaults file in the home directory and adding the line

Xcursor.theme: polarblue

Again, where polarblue is the name of theme you want to use.

[/unix] [permanent link]

Volunteers Needed
The Lincoln Park Triathlon needs volunteers. If you'd like to help out, please visit www.lincolnparktriathlon.com/volunteers for more information.

This event isn't possible without the help of volunteers. If you or anyone you know would be interested in helping, please contact us.

[/musings] [permanent link]

It's gotta be the shoes
Yesterday I picked up the pair of shoes in which I will run the New York City Marathon.

[/running] [permanent link]

Happy Birthday

Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

O-En	Chibi	Rainbow

[/tbm] [permanent link]

Happy Birthday

Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

O-En	Chibi	Rainbow

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

When will I realize...
I've been running for 3 years 6 months and 9 days. I've been 100 pounds lighter* for 2 years 9 months and 3 days. And I still don't feel like this is my body.

[/musings/self] [permanent link]

[mini-rant]
I hate bash. I hate it. I hate how it bastardized bourne by adding half-assed implementations of features from ksh and tcsh.

[/unix] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Migraine
I hate waking up with migraines.

[/musings] [permanent link]

Acceptance, or lack thereof...
A few days ago I picked up some dumbbells that had been left out, they were 40lbs each and I lifted them with one hand each. Three years ago the most I could lift, with both arms combined and "lifting with the legs," was 43lbs (the weight of my computer).

Last month, I ran a 5K in 19:08. Yesterday during a speed workout I ran my two fastest 100m ever, 17.9 seconds and 17.87 seconds. Today I ran a 10K at a 6:24 pace, finishing in under 40 minutes. I've set a new PR in every distance I've raced this year except the half marathon, and that race I set a new record for myself on that particular course.

I've put lost 126 pounds of fat and gained 36 pounds of bone and muscle. My body keeps getting stronger and faster.

And I still can't accept my body for what it is....

[/musings/self] [permanent link]

Scotland 10K 2011
This morning I ran the NYRR Scotland 10K for the third year in a row. The first time it was cold and raining, and I had food poisoning from eating at the Macaroni Grill the night before. (The Giraffes had a team dinner the night before and 40% of us got sick.) I ran that race at a slower pace than the 15K race a few weeks prior.

Last year, the morning of the race was unseasonably hot and I was dealing with an ITBS flare-up. I ran that one almost as slowly as the previous year.

All of the other 10K's I've run were always sub-par compared to my 5K and 15K times. I had never felt like I had a good 10K race. I always felt like I let myself down; like I should be doing better.

Until today...

Today's Scotland 10K was the first time I had a good run at this distance. When I set out this morning, my goal was a 6:56 pace, one second per mile better than my PR. Central Park was a bit chilly at about 52 degrees with an overcast sky.

My team made our plans for meeting afterward and we took our places in the corrals. The gun went off and I started running. As soon as I crossed the starting line I decided I wanted to see how fast I could do this, how fast I could run a 10K. I wanted to see if I could break 40.

So I ran fast and hard, watching my pace a little too closely at times. After the first mile I was warm and debating whether or not to take off the arm warmers. I decided to wait until later in the race, as one side of the park is usually warmer than the other. At about 2.5 miles I had a weird cramping feeling in the ball of my right foot, but within a few hundred meters the high kicked in and the pain went away. At the halfway point I knew I'd be close to a 40 minute finish if I kept up the pace.

I kept up the pace until the last mile, then I sped up. I was close to the goal. I was going to make it or die trying. Well, probably not die. More likely vomit or pull a muscle or re-injure the IT-band. But not one of those problems happened. What did happen was I crossed the finish line less than 40 minutes from the time I crossed the starting line.

For the first time, I had felt good during and after a 10K. I ran the race I wanted and the race I needed. I accomplished what I set out to do and it felt awesome.

The official results posted a few hours later put me at 39:46, a 6:24/mile pace. This is a faster pace than my current 5 mile and 4 mile PRs. I ran at a 67.5% AG performance rating and finished 318 of 8491.

I'm pretty pleased with myself...

[/running] [permanent link]

Alpha
Due to the power failure, there was the loss of several hours of work. Last night I installed FreeBSD 6.2-RELEASE on an old DEC AlphaStation 200 I have. I had started building a new, smaller kernel for it around 23:30 last night. It had not completed by the time of the power outage. I have restarted that build.
Any one reading this would reasonably ask, "Why are you not as confused/angry/annoyed with a compile that was not finished in 7 hours as you were about one that took 3 hours?"
The answer is simple. This AlphaStation is powered by a 100MHz DEC Alpha EV4 CPU and has 64MB of RAM. To the best of my knowledge, DEC made this machine around 1994 or 1995. I expected the build to take a long time; the machine is around a dozen years old.

[/unix] [permanent link]

NJ Governor Endorsement
I officially endorse anyone who is not Jon Corzine.

[/politics] [permanent link]

Best Buy Capitalizes on Actor's Death
I stumbled upon this information today. The Best Buy in Mission Valley San Diego attempted to cash in on Heath Ledger's death mere hours after his passing. You can read all about it here.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

What Year is This?!
So this was my Saturday night....

[/musings] [permanent link]

Problems with loader.conf

First the background. The story of how I got into this mess:

I'm trying to get ACPI working on my laptop under FreeBSD. Specifically, I'm trying to get Resume to work properly. Suspend works, and resume seems to partially work. The fans spin up, the keyboard's backlight comes back on, but no screen. And without video, it's a little hard to figure out what's going on.

ACPI works great on my server. It's running the same FreeBSD 9.1 x86-64 build that the laptop is, but the biggest difference is that it's an intel motherboard. The laptop is an Alienware, for our purposes, I might as well just call it a Dell.

I started comparing the ASL output from both machines and noticed some things. First, the Alienware's ACPI implementation looks for the OS to be various forms of Windows or "Linux." The intel ACPI implementation also looks for these Windows variants and "Linux" but it has an additional OS string. It has an entry for "FreeBSD."

I figured the easiest next step was to use iasl co compile the intel ASL source and load that DSDT onto the laptop.

I calculated the odds it would work vs the odds I was doing something incredibly stupid... and I went ahead and did it anyway...

I compiled the asl and I set /boot/loader.conf to override the DSDT with the intel one I had just compiled and I rebooted. At first everything was good. The machine went down, I got the boot loader, and the FreeBSD kernel started to load. Seconds into the kernel load, it rebooted itself. After the second time, I powered off and tried a cold boot. Same problem just as I had feared.

Now i was in a situation where I couldn't successfully boot because of an error in loader.conf I needed to find a way to edit it.

And here's the solution:

The FreeBSD bootloader, like many others, works in stages. At a certain point, it can be interrupted at which point it provides a set of simple yet powerful commands to control various aspects of the loading process. If you still have that default menu at load, I beleive the option to chose is 6. I disable that menu so during a brief countdown I hit escape before the boot loader turns control over to the kernel.

Once in the boot loader prompt, I entered the following commands:

unload
load kernel
boot

Pretty simple right? The unload command does what it says, it unloads the kernel and any modules loader.conf had pulled into memory. The load kernel command grabs the kernel and loads it into memory... but only the kernel thus ignoring the broken DSDT in loader.conf. And of course boot tells the boot loader to continue booting the system.

Once booted, I removed the bad DSDT from loader.conf.

[/unix] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

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CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

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